[It's infuriating — Mello wants to manipulate the situation, to get Setsuna to give in, but he's being so stubborn. It's arousing too, and that only serves to frustrate Mello further, because that is exactly the problem. His eyes narrow, but he's careful not to display any additional irritation. He does, however, pull his hand free, bringing the knife with it, setting it aside.]
Setsuna.
[His tone is still low and suggestive, but there is a commanding quality to it, a pressure. He once again takes Setsuna's hand, this time bringing it to his face, pressing it to the burn scar, making a point in the gesture — look what I have been through, do you honestly think that a little cut means anything to me?]
I want you to hurt me.
[Cut it out, yes, find that chip and destroy it, even it takes blood and pain and unwillingness, but make this stop — it's more lewd than it should be, the statement suggesting more than just the cut for which Mello is waiting. It's desire that goes beyond that, a pull to get Setsuna to listen, and yes, to touch.]
no subject
Setsuna.
[His tone is still low and suggestive, but there is a commanding quality to it, a pressure. He once again takes Setsuna's hand, this time bringing it to his face, pressing it to the burn scar, making a point in the gesture — look what I have been through, do you honestly think that a little cut means anything to me?]
I want you to hurt me.
[Cut it out, yes, find that chip and destroy it, even it takes blood and pain and unwillingness, but make this stop — it's more lewd than it should be, the statement suggesting more than just the cut for which Mello is waiting. It's desire that goes beyond that, a pull to get Setsuna to listen, and yes, to touch.]